2023
June 19, The Loreto Theater at Sheen Center – 18 Bleecker St, New York – NY. The composition (((11^x)fe2-2^y)(12-2)^(n) for Guitar and Electronics is performed by the composer at the first concert of New York City Electronic Music Festival 2023.
https://nycemf.org/preliminary-schedule-2023/
June 16, location pending. The composition Discontinuous Mediation III is played at first concert of La Hora Acusmática.
March 9, Louise E. Addicott & Yatish J. Joshi Performance Hall, Indiana University South Bend – 1825 Northside Blvd, South Bend – IN. The version of Malleable for flute, electronics and video is performed by Ensemble Concept 21 (EC/21) at the [PMF~ 2023] Festival.
https://www.performingmediafestival.com/schedule
2022
November 5, Boston University – CFA Concert Hall – 855 Commonwealth Ave, Boston – MA. Reading session with Argento Composer’s Reading Ensemble. During this reading session, a excerpt of the composition When Matter Stops Flowing… was performed.
https://www.argentomusic.org/musicians
October 29, University of North Georgia – 82 College Cir, Dahlonega – GA. The composition Discontinuous Mediation I is played at the Research on Contemporary Composition Conference 2022.
https://faculty.ung.edu/dpeoples/rocc%20sched.pdf
October 18, Escola de Música da UFRN – 1R. Cel. João Medeiros – Lagoa Nova, Natal – RN – Brazil. Rodrigo Pascale presents his article “Som e Objetivismo” at the XXXII Congresso da ANPPOM.
https://bit.ly/3yfGaI4
October 7, Facultad de Música FaM UNAM – C. Xicoténcatl 126, Del Carmen, Coyoacán, Ciudad de México, CDMX, Mexico. The composition Malleable is played by Teresa Díaz de Cossio at the Resonancias XXXVIII – Flautografias, Siete Partituras Gráficas.
https://www.facebook.com/events/434822405414235/?ref=newsfeed
April 21 – 23, Lewis University – 11 University Pkwy, Romeoville – Illinois. The composition Dentro de um, o outro will be play at the Electronic Music Midwest 2022.
https://www.emmfestival.org/concerts.php
April 13 at 8pm (EST)/ 19h (Ciudad de Mexico) / 21h (Rio de Janeiro), Online. A Performance by Teresa Díaz de Cossio of the composition Malleable will be broadcasted during Flautografías organized by T R A M A S espacios de experimentación artística.
April 9 at 3pm (EST), University Presbyterian Church – 1385 S Adams Rd, Rochester Hills, MI. The composition Pontoando is premièred by Kaeli Lowe (viola) and Kyle Marker (guitar) at the Chamber Ensembles Concert.
April 3 at 3pm (EST), Dalton Center Recital Hall – 1300 Theatre Dr, Kalamazoo – Michigan. The composition Malleable will be premièred by Gia Evans (flute) during Birds On A Wire’s Concert.
April 1 at 1pm (EST), Dalton Center Recital Hall – 1300 Theatre Dr, Kalamazoo – Michigan. The composition Dentro de um, o outro will be played at Concert 9 of SEAMUS 2022.
March 29, Dalton Center Recital Hall – 1300 Theatre Dr, Kalamazoo – Michigan. Reading session with Shanna Pranaitis. During this reading session, my composition The Part is the Whole was performed.
March 29, 2021 – Current, La Plata – Argentina (Online). Residency with TRAMA Ensamble organized by Micro forum.
September 7, 2020 – Current, Online. Apply Triangle Recording Project. One of my current projects is a collaborative work with Apply Triangle for who I am writing the composition “Movable Mosaic” for Flute/Piccolo, Clarinet/Bass Clarinet, Piano and Electronics. It has been an amazing collaboration!
2021
October 14 at 7:30pm (EST), Dalton Center Recital Hall – 1300 Theatre Dr, Kalamazoo – Michigan. The composition Dentro de um, o outro is premiered during Student Composers Concert I.
October 13, 2021 – April 13, 2022, Mexico City – Mexico (Online). Laboratório de creación de partituras gráficas para flauta, organized by T R A M A S – espacios de experimentación artística.
July 31, Online. Presentation of Discontinuous Mediation in Festival de Música Electracústica 20.21 organized by Núcleo Espacio. https://www.facebook.com/nucleoespacio/videos/540279297419686
June 28 – July 2, Online. Participation in SPLICE Institute 2021.
June 1 at 5pm (St Petersburg Time), Galernaya Ulitsa, 4, St Petersburg – Russia. The Composition Assemblage was performed by Serafima Verkholat during Composition Course reMusik.org Serafima Verkholat’s Concert.
May 23 – June 2, Galernaya Ulitsa, 4, St Petersburg – Russia (Online). Participation in 2021 Composition Course reMusik.org.
March 25 at 3pm (EST), Online. The composition Discontinuous Mediation II is played in NSEME 2021, An Exploration of Space’s Concert #2.
March 24 at 3pm(EDT)/16h(Argentina/Rio), La Plata – Argentina (Online). The composition “Líneas y puntos” is performed in TRAMA Ensamble workshop’s exhibition.
April 15 at 5:00pm(ET)/18:00h (Rio), Online. Compositions for 0 or 1 Performers (Graduate Composition Recital).
Concert Program
Unnest for Bassoon solo (2020)
Ariane Petri, Bassoon
Assemblage for Baritone Saxophone solo (2020)
Erin Rogers, Baritone Saxophone
Reizantwort for Viola and Electronics (2020)
Laura Parra, Viola
Discontinuous Mediation I (2020)
Fixed Media
Discontinuous Mediation II (2021)
Fixed Media
March 31 at 6:00pm, Online. Performance of the composition Unnest for Bassoon solo by Cristian Coliver at the IIIo Festival Expresiones Contemporáneas (México).
March 26 – April 23, Online. Residency with PRISM Quartet.
2020
December 15, 2020 – March 12, 2021, Online. Residency with Splinter Reeds. During this amazing experience, I was able to work with two great performers, Kyle Bruckmann and David Wegehaupt, in a new composition for Oboe and Soprano Sax Duet, “Bifurcation”. I was thrilled with the musical exchange and with the remarkable recording made by these musicians!
December 10 at 7:30pm (Rio Time), Online. The composition Unnest for Bassoon solo is premiered by Ariane Petri in the 5th International Congress of Music and Mathematics – MusMat 2020.
https://youtu.be/FMOk-hrKRvk
November 12 at 8pm, Online. The composition Assemblage for Baritone Sax solo is premiered by Erin Rogers at Hypercube’s Thoughts and Fragments.
November 9 at 8pm, Online. The fixed media work Discontinuous Mediation is played at Tesselat Concert organized by Tesselat Composers Collective.
https://www.facebook.com/tesselat/
October 14 at 8:00pm (ARG) and October 15 at 4:00pm (ARG), Online. The fixed media work Discontinuous Mediation is played at Espacios Sonoros 2020 Festival organized by Espacios Sonoros (Salta, Argentina)
https://centrodeartesonoro.cultura.gob.ar/info/radio-caso/?fbclid=IwAR1qXbeGJKYivP9_WZOxyB8pnf_B3FB-_qDL1r0VFu8VNC-piufPfDmckco
October 3 – November 13, Online. Pascale participates in Hypercube Composition Lab
August 13, Online (UNIRIO – RJ, Brazil). Participation in Encontros Pandêmicos em Composição Musical com Rodrigo Pascale.
http://www.unirio.br/cla/ivl/news/mostra-virtual-permanente-do-ivl-9a-semana
June 25, Online (UFRJ – RJ, Brazil). Participation in Fórum de Compositores: 2º Encontro. https://youtu.be/mcSv6tNqZE8
May 21 – June 1, Galernaya Ulitsa, 4, St Petersburg – Russia (Online). Participation in 2020 Composition Course reMusik.org. https://en.remusik.org/news-20200520/
April 16 (postponed), Open-air theater with gardens on the premises of the Chihuahua State Secretary of Culture, Chihuahua – Chih – Mexico (Av. División del norte 2900). The fixed midia work Reunido na Praça is going to be played as part of La Muestra Internacional de Música Electroacústica MUSLAB 2020. https://muslab.org/_2020/muslab-2020.html
February 29 – September 4, Online. Residency with Hinge Ensemble. This residency served as inspiration to write the composition Concrescènza for Baritone Sax, Electric Guitar, Piano and Percussion.
February 26 at 1:00pm, Dalton Center Recital Hall – WMU, Kalamazoo – MI – USA (1300 Theatre Dr). Juan Avendaño performs Marea as part of Composer’s Concert III.
2019
December 3 at 7:30pm, Dalton Center Recital Hall – WMU, Kalamazoo – MI – USA (1300 Theatre Dr). The fixed midia work Reunido na Praça is played in Composer’s Concert II.
August 10 at 6:30pm, Sala Villa-lobos – UNIRIO, Rio de Janeiro – RJ – Brazil (Av. Pasteur 436). Duo Adour performs 3 Canções de Vênus as part of Duo Adour 25 anos.
May 6 at 12:00pm, UFMG, Belo Horizonte – MG – Brazil. Presentation of Ditadura Militar e Censura: Uma análise semiótica da dicção na canção ‘Corrente’ (1976) de Chico Buarque together with Rafaela Domingues Pereira in EPHIS 2019.
2018
November 30 at 1:30pm, Sala da Congração – Escola de Música da UFRJ, Rio de Janeiro – RJ – Brazil (Rua do Passeio, 98). Graduate recital. https://www.facebook.com/events/2210044329242884/
CONCERT PROGRAM
MORRO DO LEME for Flute and Piano Duet (2017)
Eduardo Monteiro, Flute / Thalyson Rodrigues, Piano
BENTEVI for Flute and Guitar Duet (2016)
Guilherme Giglio, Flute / Rodrigo Pascale, Guitar
DESLUMBRE for Guitar solo (2017)
Rodrigo Pascale, Guitar
BICO DO PAPAGAIO for Clarinet and Piano Duet (2016)
Adilson Alves, Clarinet / Hugo Braga, Piano
TRÊS CANÇÕES DE VÊNUS for Soprano and Guitar Duet (2018)
Duo Adour
GAROA for Saxophone Quartet (2018)
Conjunto de Sax da UFRJ
FANFARRA QUEBRADA for Brass Quintet (2016)
Quinteto de Metais da UFRJ
REUNIDO NA PRAÇA – fixed media (2018)
November 6 at 12:30pm, Sala da Congração – Escola de Música da UFRJ, Rio de Janeiro – RJ – Brazil (Rua do Passeio, 98). Eduardo Monteiro and Thalyson Rodrigues perform the piece Morro do Leme as part of XXIX Panorama da Música Brasileira Atual.
2017
December 11 at 12:00pm, Edifício Ventura – Escola de Música da UFRJ, Rio de Janeiro – RJ – Brazil (Av. República do Chile, 330). Presentation of Valsa de Nepomuceno: uma proposta de modelagem sistêmica markoviana together with Max Kühn, Claudia Usai and Liduino Pitombeira in 16° Colóquio de Pesquisa do PPGM-UFRJ.
December 7 at 6:00pm, TribOz – Centro Cultural Brasil-Austrália, Rio de Janeiro- RJ – Brazil (Rua Conde de Lages, 19). Pedro Brandão (Guitar) performs Gonzaga and Cron Ensemble performs Gamboa (Viola and Piano) as part of II Mostra Impulso e IV Mostra Horizonte.
Dezember 4 at 12:00am, Edifício Ventura – Escola de Música da UFRJ, Rio de Janeiro – RJ – Brazil (Av. República do Chile, 330). Presentation of the paper Utilização do aplicativo de operações lineares Oplin como ferramenta de modelagem sistêmica together with Max Kühn, Claudia Usai, Liduino Pitombeira and Pauxy Gentil-Nunes in II Congresso Nacional de Música e Matemática.
August 30 at 12:00pm, ELM – Escola Livre de Música – UNICAMP, Campinas – SP – Brazil (R. João Pandiá Calógeras, 60). Presentation of the paper Modelagem sistêmica aplicada à música popular: Imagina, de Tom Jobim together with Max Kühn, Claudia Usai and Liduino Pitombeira in XXVII Congresso da ANPPOM.
June 15 at 6:00pm, TribOz – Centro Cultural Brasil-Austrália, Rio de Janeiro- RJ – Brazil (Rua Conde de Lages, 19). Quinteto Lorenzo Fernandez performs Suíte Arcos Alvos as part of I Mostra TribOz-Impulso e III Mostra Horizonte.
2016
December 1 at 12:00pm, Edifício Ventura – Escola de Música da UFRJ, Rio de Janeiro – RJ – Brazil (Av. República do Chile, 330). Presentation of Composição de Cinco Mulheres a partir da modelagem sistêmica do Prelúdio n° 1 para piano de Claudio Santoro together with Max Kühn, Claudia Usai, Liduino Pitombeira and Pauxy Gentil-Nunes in 15° Colóquio de Pesquisa do PPGM-UFRJ. https://www.youtube.com/watch?time_continue=325&v=pm7xSgTl0hk&feature=emb_title
June 7 at 6:00pm, Sala da Congração – Escola de Música da UFRJ, Rio de Janeiro – RJ – Brazil (Rua do Passeio, 98). Lucas Lopes (piano) performs Suíte “Ao Vento” (3 movements of 4) as part of II Mostra Horizonte.
rodrigopascale.com 